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Whether in Aurora or elsewhere, Brawley had advice for other aspiring animators. I'm not good enough.вЂ™ But you just have to kind of rely on the people who are there to help you and kind of get you through that.вЂќ вЂњI think animators in general, we're always doubting ourselves, especially when you come up against something very challenging and you'll start struggling with it, and then you'll start to doubt that you can do this job,вЂќ he said. Brawley said that many animators deal with doubt. In the film, Alberto teaches Luca to conquer his fears and doubts with a definitive motto, вЂњSilenzio, Bruno!вЂќ Bruno being the voice of doubt inside oneвЂ™s head. вЂњIt's nice to have a chunk of shots because sometimes you're building up something emotionally in the characters and you can kind of work that in through your chunk of shots,вЂќ he said. Everybody really liked it,вЂќ Brawley said.Д«rawley said some animators get assigned to animate a certain character, but many get assigned a number of shots to draw. I kind of did that in my blocking and that came across really well. But.вЂ™ And then I just had this picture in my head of him doing a little bow, almost like a Japanese bow. вЂњOne of the best kind of acting ideas I had was Luca and Alberto are in the hideout and he's regretting being there.

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I talked to my wife, I'm like, вЂWhat are we going to do?вЂ™ And she's just like, вЂWell, we have to go,вЂ™ because that's been my goal from the beginning.вЂќДЄs part of his first movie for Pixar, Brawley helped animate certain scenes and gestures for some of the main characters of вЂњLuca.вЂќ He pitched ideas to other animators that would then make it into the film if they liked it. вЂњI had actually bought a condo literally one week before I got the offer from Pixar. I have to be at Pixar.вЂ™'Д«rawley said he had almost given up on his dream of working for Pixar when Pixar finally offered him a job. I was able to be in a lead role, but it was still in the back of my mind, like, вЂAh, but Pixar. Then from there, I ended up going to Sony Image Works in Vancouver and that was kind of the next step, getting into feature film. вЂњI ended up going to Japan and that was a whole new adventure, and I kind of got comfortable there, but it was still in the back of my mind that I wanted to get to Pixar. вЂњI remember applying after school, I'm thinking, вЂI probably have no chance, but I have to try,вЂ™вЂќ he said. Even early on, Brawley had his sights set on joining Pixar. 'Yeah, I can actually create something!'Д®ventually, his career took him out of Colorado, first to the Vancouver Film School in Canada and then to Japan for work as an animator. вЂњI could animate the camera going in and I had music edited to it,вЂќ he said. Brawley chose the latter and made a student film about foosball players. The graphic design program there at the time allowed students to go into either web design or animation. His mother encouraged Brawley to pursue his interest in graphic design, which led him to AuroraвЂ™s Platt College. Animator Earl Brawley first experimented with animation at Aurora's Smoky Hill High School. вЂњThe assignment was to build a dream house, but just being in this virtual world was just kind of mind blowing to me.вЂќ Disney/Pixar A scene from 'Luca,' a new Pixar film. вЂњI always loved playing on the computer at home, and I think we did something like CAD or something where you could build your own house,вЂќ he said. At Smoky Hill High School, he experimented with his first computer animation programs. вЂњOne time, they were building houses and they just had the driveway paved, and we dug a hole underneath the driveway and had a little cave there.вЂќД«rawley also traced the start of his animation career back to Aurora. вЂњMe and my best friend kind of nerdy types and we would always kind of have these kinds of silly adventures,вЂќ Brawley said of his past in Aurora. The pair defy the wishes of LucaвЂ™s overprotective parents and venture out to the coastal town of Portorosso, where even more escapades await.

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Editor's Note: This article contains movie spoilers.ДЄurora is a world away from the made-up, Italian-inspired landscape of PixarвЂ™s latest film, вЂњLuca,вЂќ but both director Enrico Casarosa and animator Earl Brawley spent parts of their childhoods among the Rockies.ДЇor Brawley, those childhood memories in Colorado directly influenced the sunny adventures of the movieвЂ™s main character, Luca, a shapeshifting water monster who befriends a like-minded free spirit named Alberto.

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